It must be understood, that neither by word nor deed had I given Fortunato cause to doubt my good-will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
I will never forget the spooky feeling the story left me with. I had chills. The almost playful countenance of the narrator, following along as he is leading his victim to his death is truly spine-tingling. If you want some chills you can go read the short tale. It was my first encounter with a truly spooky, evil intended tale of revenge and murder. My introduction to Poe and the literary genre of horror left an indelible mark of both appreciation of such word-weaving, and intrigue of formulating such tales. I noticed there's a way to tell such a tale by revealing only just so much information at a time to leave the reader hanging on to see the next page. The reader knows what might be happening, but it's so thrilling they can't stop reading to see if that horror actually unfolds. That's a foundational tool of a good author.
This book isn't just filled with murder stories, there are also a couple of the first detective stories, these that pre-date Conan Doyle's Sherlock, and I can see many aspects of Sherlock Homes, which were such fun to encounter in these tales of solving a murder.
He makes, in silence, a host of observations and inference. So, perhaps, do his companions; and the difference in the extent of the information obtained, lies not so much in the validity of the inference as in the quality of the observation. The necessary knowledge is that of what to observe. Our player confines himself not at all; nor, because the game is the object, does he reject deductions from things external to the game.
So happy spooky season! I mean, have a great, thrilling reading time!
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