13 November 2024

Milton the Poet (not the hurricane)

 


We said goodbye to Milton the hurricane over a month ago, with gladness to be parted from its influence.  Milton the poet we also said goodbye to 350 years ago, and yet to this day welcome his influence. So, let's appreciate and visit with John Milton, the poet. 

You are likely familiar with the epic poem, Paradise Lost, published in 1667 by a bookseller Samuel Simmons in London. John Milton lived during a time of civil war in England, the Restoration of the Monarchy when Charles II came to the throne. Anti-Catholicism was the norm, and John Milton was a traditional protestant who believed in free will and freedom to choose our eternal destination. If Adam had not been free, he might have been like a puppet, Milton had said. Made in the image of God, man was, but with the freedom given to humanity.

You may have read this in school or sections of it, as it's exemplar poetry, along the lines of Homer and Dante. Epic, grand, world altering scenes told through (in Milton's case) unrhymed verse (English heroic verse without rhyme aka: iambic pentameter) that tells the heroic-type story of the fall of Adam and Eve. But the story doesn't begin with them, even though it is immediately alluded to in the opening lines:

Of man's first disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought death into the world, and all our woe,
With loss of Eden, till one greater man
Restore us, and regain the blissful seat

The story then flows into a scene of hell, with the first views for Satan as he arrives, along with his fallen comrades who have been thrown out of Heaven. Satan is extremely displeased to discover where they are, in a place of torment and despair. But he rallies his followers, that persuasive and prideful stature of Satan; he stands tall and commits that hope is not lost. They can reclaim heaven by waging eternal war to conquer the grand foe, and cause utmost despair unto God. Satan and his mates swear:

To do aught good never will be our task,
But ever to do ill our sole delight.

Satan says he is equal to God. He believes God just has the power, which he can choose to overthrow (pride is the biggest deceiver). He refuses to let the tyranny of heaven rule him. But what should their next action be? They have a council meeting to discuss the options for how to wage war against Heaven and make their reign secure.

Here for his envy, will not drive us hence:
Here we may reign secure, and in my choice
To reign is worth ambition though in Hell:
Better to reign in Hell, than serve in Heav'n.

Satan is a motivational speaker, rousing his followers as they jump up to join him in the rally. They determine that some new creation is coming, with beings that God is creating, and that can be the source of revenge. So we begin the tale of Milton's cosmos, where Heaven sits on top of the Chaos which is below. Before we even get a glimpse of God or His Creation to come, we see the behind the scenes situation of Satan and his fall. This sets up the scale of our whole story and how cosmic is truly is.

I seemed to have timed my re-visit with Milton perfectly to align with the celebration of his death 350 years ago. Milton's only surviving home, called Milton's Cottage, located outside of London, was the cottage where he lived and wrote the epic Paradise Lost. Milton's Cottage held a 24 hour Miltonathon - where volunteer readers read through the corpus of his works. How amazing is that? To watch and listen to readers from around the world, starting in England, over to America, Canada, New Zealand, Japan, and back to England. I dropped in as much as I could. I listened to Milton being read out loud while I did chores, while I made some lunch and dinner, and while I waited for my tea to steep. Delightful. 

If I could suggest, I think we need more occasions to read poetry and prose out loud to each other. Not as a special occasion only, but as regular evening activity, like long ago was the normal entertainment of the evening to provoke further, deeper discussion on such questions that might be raised by such great works as this one. The beauty of the poetry, the sound of the words, the story unfolding, and the experience with one another. 

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